I have three ver­sions of Leonard Cohen’s Hal­lelu­jah in my iTunes library. The first is, of course, the orig­i­nal by Leonard Cohen. The ver­sion I have is off of one of his great­est hits albums, The Essen­tial Leonard Cohen, and includes a cho­rus, his usual lugubri­ous deliv­ery, and a some­what seventies-ish elec­tric banjo sound. Now, I have to say, I think leonard Cohen is a fan­tas­tic song­writer. I love his voice, too, but some of his best songs are com­pletely screwed up by ridicu­lous arrange­ments. This is one of them. When I first heard this song, bril­liant as it is, I prob­a­bly skipped to the next track. I doubt I lis­tened to it all the way through even once before dis­cov­er­ing it as sung by some­one else.

The sec­ond, and prob­a­bly best known ver­sion, is by Rufus Wain­wright, and appears on the sound­track to the movie Shrek. This is a good cover of the song, cer­tainly it treats the piece like poetry (unlike Cohen’s carnival/church ren­di­tion), and the piano is well played. But even Wain­wright cites Jeff Buck­ley as an influ­ence on his musi­cal career.

While watch­ing an episode of With­out a Trace on CBS, they played Jeff Buckley’s haunt­ing ver­sion from his album Grace, and I didn’t rec­og­nize the song at all. I actu­ally had to go do a search on the Inter­net to dis­cover what the song was, and that I already had a copy. Do your­self a favor: go buy, down­load, or steal this song and have a lis­ten, stereo cranked up, lights down, cur­tains drawn, loved one snug­gled next to you. Buck­ley, who died in an accident/suicide in 1997, pours so much emo­tion into this song that you can’t pull your­self away. Lis­ten­ing to this, you can’t escape the unmis­tak­able power of Leonard Cohen’s writ­ing. The poet just needed a dif­fer­ent mouthpiece.

Tiffany and I will stop what­ever we’re doing when this song scrolls around on the iPod. We only do that for a few songs, and while those few tend to change month to month, Jeff Buckley’s Hal­lelu­jah always makes us pause to listen.

I keep look­ing for that sec­ond strike of light­ning, but have yet to find another Jeff Buck­ley song that I even like a lit­tle bit. I do want some­one to put together a disc of Leonard Cohen cov­ers, though.

 

4 Responses to Best version of Leonard Cohen’s Hallelujah?

  1. Danny says:

    So, Aprille sent me a copy of Hal­lelu­jah as sung by one John Cale. Appar­ently, his is the ver­sion of the song that plays dur­ing the actual movie Shrek, while Rufus Wainwright’s is the ver­sion on the CD. She and I have had this dis­cus­sion before, and I know she let me lis­ten to this then, too, but I think my poor, tired brain never wrapped itself around the dif­fer­ence between Wainwright’s and Cale’s versions.

    I like this ver­sion a lot, though not as much as I like Jeff Buckley’s ver­sion. Then, I have a lik­ing for the hope­less and despon­dent in my male singers (see: Nick Drake, Elliott Smith).

    Any other ver­sions out there?

  2. Andy says:

    k d lang does a won­der­ful ver­sion of ‘Hal­lelu­jah’ on her album ’ Hymns of the 49th Par­al­lel’. Much as I love the ver­sion by Jeff, I think k d takes the song to another place.

  3. Anna says:

    Dear Andy
    Hal­lelu­jah and amen to that! I think kd langs ver­sion is the best I have ever heard. And I really just never liked Jeff Buck­leys version…sorry. Even if I had though, kd leaves them all for dead in the way she sang that.

    She also did a damn fine ren­di­tion of Bird on a Wire

    xx

  4. Danny says:

    Anna, Andy, I do love me a lit­tle kd. Saw her in con­cert in col­lege (many moons ago) and it was absolutely fab­u­lous. I had no clue who she was, we were in a lit­tle packed stage the­ater in Prov­i­dence, and she did that bit where she sings to a cig­a­rette, stage blacked out except for a spot­light on her hand, the cig­a­rette, and the ash tray.

    It made me a fan for life. That said, I was not as impressed by 49th Par­al­lel as I had hoped I would be (still bought it, though).

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