Friday, August 13, 2010

Friday, August 13, 2010 - Foul-mouthed, tattooed, gay-marriage supporting old folk. Man, 2055 is going to be awesome.

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Bad Machinery

I don't often get caught up in the fancy of something, but this has entranced me. There is a web comic, that's been around since last Fall, that I can't stop reading. Well, that's not strictly true. I can stop, but every time I go back it is just as delightful.

It is called Bad Machinery, by John Allison. It takes place in Tackleford, somewhere in England, and involves kids who are about... I don't know, fourteen, fifteen? (I'm so bad at judging ages that it seems to extend into cartoons... huh.) Anyway, it is so quintessentially fun, cool, young, and English that I can't help reading it in my head in an accent. I've even tried fitting different accents on different people.

Very cool. I'm about halfway through the archives, but it is absolutely fabulous.

Try it. Start at the beginning.

Oooh, and look what I found, the home page! Bad Machinery.

Yes, the cross-pollination with Scary Go Round is odd. I haven't let it quell my enthusiasm, however. As best I can tell, Bad Machinery is Scary Go Round: The Next Generation. In any case, I like the young'uns better.

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Tooth regeneration gel

Tooth regeneration gel - Holy... This is right up there with the rat lungs grown in a vat. Regenerating teeth? Wow.

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Maradona Is Smarter Than You Think | The New Republic

Maradona Is Smarter Than You Think | The New Republic - If Argentina wins the World Cup this year, there will be no stopping Maradona. He will be able to sell tickets to his naked streaking through the streets of Buenos Aires.

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World Cup! World Cup! World Cup!

World Cup! World Cup! World Cup! - I am pretty excited, too. Especially for the ESPN3.com coverage, as last time I had to go take really long lunches.

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What he said, about “Lost”

This bit from Alan Sepinwall's review of the last episode of Lost is key to why I loved it, and the series as a whole.

"Ultimately, "Lost" didn't succeed because of the mythology. We've seen too many examples of mythology-heavy, character-light series fail over the last six years to think that. "Lost" succeeded on emotion, whether that emotion was fear of the monster in the jungle, or grief over Juliet dying, or joy at Desmond reuniting with Penny, or thrills at Sayid's breakdance fighting and Hurley riding to the rescue in the Dharma bus. When "Lost" was really and truly great, it locked you so deep into the emotions of the moment that the larger questions didn't really matter."

The rest of the review is also interesting, if you care.

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